Oakland 2013 : “I think the Universe was intending for that to be my meth wallet!”

Maybe I’m totally wrong about this but I imagine that there are some readers who are mostly here for the underground art and music stuff and just kind of roll their eyes through the drug sections or scan ahead until I start talking about a show again. And then of course there would be readers who just want to hear about crazy drug stories and just kind of feel like:

Why the fuck would I want to read about some lame ass band that broke up in less than a year? Get on to the sniffing, smoking and shooting!”

Then of course there would be the third type of reader that absolutely lives for the content that focuses on these separate but connected worlds like a rarely available but absolutely delicious version of a Reese’s Peanut Butter Cup. I could be drastically underestimating how rare this kind of reader is. Books about the earliest days of Punk like Please Kill Me are absolutely full of bands and drugs and clearly have a broad audience but I feel like that’s a little different only because all of those bands have gone on to be at least moderately well known.

I was thinking about something kind of like this when I was just recently having a conversation with AT from Attitude Problem at the Blog Cabin Reunion that just went down in New Mexico. I had discovered since writing the Fort Thunder chapters that both AT and Jeremy Harris from Lazy Magnet had been playing in USAISAMONSTER at the show that happened on my twentieth birthday. I remember that the band was five different people but for whatever reason I had only really talked and vibed with Tom and Colin.

While I’m on this topic I should also mention that I recently remembered that the band Mastodon played the same show. They were a still fairly underground group at this stage as opposed to the mainstream metal juggernaut that they are today and didn’t seem particularly out of place. I might as well mention that a group called Duct Tape Union also played – I don’t know anything about them except that they were probably local.

Anyway meeting AT and Jeremy many years later I never realized that we had all actually met at Fort Thunder way back in August of 2000. So I was talking to AT about what was exciting and attractive about Fort Thunder and I brought up this thing that Mat Brinkman said in an interview in The Comics Journal – basically that people who are into noise records are mostly not that into comics and people that are into comics are mostly never into noise records.

I know it’s not completely never as the thing that first drew me to Fort Thunder was discovering some of Mat Brinkman and Brian Chippendale’s mini-comics and then what cemented my need to actually go there was separately discovering the music of Lightning Bolt and Forcefield. I think my earliest exposure to the Fort Thunder comics world was a booklet called Coober Skeber Marvel Benefit Issue that was handed out free at the 1997 San Diego Comic-Con as a joke about Marvel declaring bankruptcy.

All of this is probably extremely interesting to a certain subset of people but I’ve already spent way too long in random asides so I’ll leave it as yes the bankruptcy was real, Chippendale had a Daredevil comic in it and beyond that you’ll have to look stuff up yourself. The worlds of underground music and comic books remain connected. While at the party I got to read a newer comic from Anya Davidson of Coughs called MNSTRFCKR

Image via Anya Davidson’s Whatever We Call Twitter Now

I also got to see a bunch of experimental music and take a lot of drugs. Yay comics! Yay noise music! Yay drugs! – anyway on to the actual story.

In early November of 2013 me and LaPorsha were living at my mom’s house in San Diego. We had been subletting somebody’s apartment in Koreatown but got sick of the constant hustle to come up with rent money and didn’t think living in Los Angeles was really worth it. I had just ridden down with Griffin from Sewn Leather for a show he was playing at Otras Obras in Tijuana.

I’ve already written at length in other places about the things that would eventually inspire us to move down to Tijuana ourselves but this was the period of time when we were going down a lot for shows and art openings but hadn’t actually lived down there ourselves yet. You could say it was our “honeymoon phase” with Tijuana.

I had been down enough to have contacts to set up a show when my friends from Moira Scar hit me up about playing Tijuana with their project V.E.X. It looks like Gmail has deleted the messages but I’m pretty sure I tried Otras Obras first and when that didn’t work out I was able to set it up with Mustache which shared the exact same back patio anyway. The date they needed was November Second which just so happened to be Dia de Los Muertos.

For those unfamiliar with the holiday there are actually two days of the dead. November First is for those who died as children and November Second is observed for those who died as adults. This should clear things up for anybody confused about the date. I billed the show as a “Cempasuchil Social” – the Spanish name for the marigold flowers used in Dia de Los Muertos observances and an acquaintance from the Tijuana artist community named Zophie Felina made a flyer for it.

Like most shows it didn’t really turn out the way I had pictured it. I was hoping that the locals who were interested in coming out would have just had things like marigolds and sugar skulls lying around and would maybe bring some along to decorate the place. I can see in retrospect how that was an unreasonable expectation. Dia de Los Muertos is a very traditional, family oriented holiday and deciding to go out to a goth show to see some American bands is kind of the opposite of that.

If I had already been living in Tijuana I could have made a lot of that happen myself. As it was I rode down with V.E.X. at more or less standard load in time. It no doubt would have helped things to have an actual local act on the bill but for whatever reason that didn’t happen. It might have been that the venue only wanted three bands and Little Debbie was already attached to the bill. Maybe I just didn’t try to find one.

Anyway it was a perfectly fine modestly attended rock show.

I don’t think I would have been on any drugs this night. At this point in time I was still primarily using pain pills and by the time we had driven to the venue all of the pharmacies that sell that kind of thing would have been closed. There was a homeless junkie kid I knew down there who made his living walking between all the popular downtown bars and selling assorted snacks and pre rolled joints of the shittiest weed imaginable.

I do remember a particularly dramatic moment in the night when he was lying in the actual gutter injecting himself with heroin. All of the bars knew all about his drug use and never would have permitted him to set a foot inside their bathrooms. That was most likely his best choice to have enough streetlight to see by while still using the edges of parked vehicles to stay out of sight of passing law enforcement.

So obviously it wasn’t the kind of social situation where I could just disappear with that guy to go get high for a minute. In fact I never copped with him at any point even after making the move over the border. I ended up independently discovering a trap house in a notorious neighborhood called Coahuila that this dude had heard of but said he would never go to because of how sketchy and dangerous it was.

I’m not saying this as a flex but as observation on how it can feel like there are two different sets of rules for natives and foreigners when it comes to this kind of stuff. I eventually met a few other American junkies while crossing back and forth over the border who said they frequented the same trap house so it’s not like I was particularly tough or badass for going over there.

As long as I’m on the topic I might as well mention another observation I made a few months later when I was living in Tijuana. After the trip to Northern California to look for trim work that this story will culminate it LaPorsha made a batch of weed cookies to try to sell in the United States. We accidentally brought them over the border with us and although they hadn’t attracted the attention of Mexico’s drug sniffing dogs it seemed unwise to take the same chances with their American counterparts.

We weren’t interested in eating them ourselves so the only option was to sell them off in Tijuana at a much lower price. This brought me to the kind of punk and reggae themed bars that were popular with teenagers but I wouldn’t have normally frequented. In these places I noticed that openly smoking black tar heroin seemed to be viewed as socially acceptable – this certainly wasn’t the case with the older, hipper crowd I hung around. The hardest opiate any of them openly used was tramadol.

I can’t help but wonder what’s become of the Tijuana drug scene since the cartels have switched out fentanyl for tar. It’s nice to think that they would continue to grow poppies to supply their own people but considering both the cost and labor involved and general Mexican attitudes toward drug users it doesn’t seem especially likely. It’s probably at least as hellish as things have gotten on this side of the border.

Even if friends had offered to let all the bands and entourage crash down in Tijuana the middle of the night is the only opportunity to drive back into the United States without hours of waiting so the only real option was to drive right back to my mother’s house. As soon as Roxy got back over the border one of our friends that had ridden along, a girl from Los Angeles named Ariel, started demanding that we find a 24 hour fast food drive through.

Nobody was especially sympathetic as food is everywhere in Tijuana. Not just street taco stands, there’s a straight up Burger King a couple of blocks away from the venue we were staying at. Also all kinds of clearly sanitary packaged foods like chips and cookies in every corner store and probably even the bar we played at. The dude shooting up in the gutter had sealed bags of Funyuns even.

Ariel said that she didn’t “trust” any of the food in Mexico. Roxy was way too tired from a full day of driving and wasn’t about to stop anywhere. Ariel had a full on tantrum – like actual crying. I don’t know what she did when we got back to my mom’s house. I guess either ate something there or just went to sleep.

Anyway her tantrum was a big part of why we wrote a “passive aggressive” invitation to our wedding in Mexico the next year. We didn’t want to deal with people who were afraid of the food or whatever else down there. My siblings said that message was the reason they didn’t come to the wedding. It was probably for the best.

We were sticking around San Diego for a couple more days because we had a show that Monday at The Void. That Sunday we spent the day checking out the different Thrift Stores around Spring Valley. When I’d been growing up there hadn’t been any in short walking distance from my parent’s house but now there were a couple of big ones.

I was walking through the parking lot of the one that used to be a small movie theater when I saw a yellow box of American Spirits on the asphalt. I always kicked cigarette boxes when I saw them – you can feel in an instant the difference between an empty one and a not so empty one. A not empty one might have cigarettes in it, which I did smoke in those days, or even money as people occasionally use them as wallets.

This one happened to contain a moderately sized baggie that was bulging at the edges with methamphetamine.

The feeling of this discovery reminded me of finding a five dollar bill in an Emeryville ball pit my first year of college – I instantly felt like it must have represented a far greater loss for whoever dropped it than it did a gain for me. In the ball pit this would have presumably been a young child. This time around it had to have been somebody who liked meth enough to buy a sizable quantity of it.

I don’t particularly like methamphetamine.

I had bought a sizable quantity of it at one point in time, three and a half grams or an eighth of an ounce, for the express purpose of smuggling it to Chicago with a counterfeit Greyhound pass and selling it at a profit. I have sniffed, smoked and injected the drug more times than I can count off hand but have probably declined offers of it an even greater number of times. To the best of my recollection I’ve never bought any quantity of it for personal use.

I never actually weighed the bag of meth I found but it was probably either 3.5 or 1.75 grams – an eighth or a sixteenth or “teener” which is a unit of measurement I’ve only seen used with methamphetamine. The shards were completely transparent and mostly on the smaller side although there were larger pieces. Based on my limited experience I’d classify it as mid-tier methamphetamine.

Middle-Shelf in the parlance of bar and now budtending.

Still I had found free drugs and in a respectable quantity. If you discount drugs that I’d previously bought and then misplaced it was probably the most drugs I’d ever found. It was undeniably a “come up” and I wanted to at least exchange it for something else of value – probably money. Not that differently than I would have expected if I had found a rare fossil or gold or gems.

One thing that did make it different was that I found it at least one night before me and LaPorsha were going to catch a ride up to the Bay Area with Roxy and Lulu to continue North and look for trim work. I can’t seem to remember if I found it the morning of our show at The Void but it seems like that show would have been an unsurpassable opportunity to try to find somebody who might want to buy it from me. Maybe we stuck around one extra day after that before leaving town.

What I can say for sure is there was a night at my mother’s house where I had the meth and also had a bag of clean syringes. I had the syringes because I had recently run into the woman from the piece called White Tiger’s House who used to sell me Vicodin. The whole situation at White Tiger’s House had imploded and she’d become homeless and was living near the closest shopping center. She told me she was diabetic, gave me the syringes and took me by another person’s camp she thought might be able to help me find heroin.

That hadn’t worked out. She also didn’t have any Vicodin at that point in time. She told me that she’d be getting a couple of bottles in the near future and would give me one of them if I could find her a tent.

Things hadn’t worked out for me to come across my preferred drugs for a little while. I’d been mostly messing with pain pills but my first love was injecting cocaine and heroin. I’d injected meth before but only one or two points at a time and I’d never noticed a recognizable rush.

I thought if I did a bigger shot of meth it would give me something comparable to the rush from injecting cocaine. At the same time I knew this wouldn’t happen. It was kind of like this moment years ago when my friends Steve and Badger asked this guy named Antonio to bring them drugs and when he asked what kind they answered “water soluble”.

Obviously the process of injecting drugs is an addiction in and of itself.

If I had to guess I’d probably say I did between .3 and .6 grams in a single shot. Without a scale and actual knowledge of how much the bag contained to begin with it’s nearly impossible to know. I wouldn’t describe the immediate sensation as a “rush” but I guess it’s all relative to whether you like the way something feels or not. Inhaling a blast of crack would probably feel pretty fucked up if it wasn’t something you were in the mood for or particularly liked.

At the risk of sounding inanely repetitive I don’t particularly like meth.

I did feel something immediately but it was pretty much dizziness, nausea and panic with no sense of euphoria or pleasure. I spent most of the night in a bathtub experimenting with soaking in either very hot or very cold water but neither felt especially better. I desperately felt like I needed to urinate but couldn’t seem to make it happen. I consider myself lucky that it didn’t result in some kind of permanent organ damage.

Most people in the house didn’t have any idea what was going on. Meth isn’t one of those drugs where you can just be like:

Hey I found a bag of this on the ground! Does everybody wanna do some?”

Cocaine is. In fact I’ve done that exact thing with cocaine I found on the ground. There’s a story about it up here somewhere – I think the one called Play Something Slow and Sexy. Polite society is generally either down to do some or at least not offended by the offer.

But I digress…

There was at least one girl in the house who liked meth. A friend of LaPorsha’s named Tina of all things. She has a “scene name” that she’s better known by. I guess I could add it in later if she wants to be easily recognized.

Anyway she had lost her wallet shortly before I found the meth. Maybe in Mexico or maybe even in Spring Valley. Now that I think about it she might have noticed it was missing at that very thrift store and the reason that I found the cigarette box was that I was helping her search for it. That would explain this next part a little better.

I happily gave her some of the meth. About the amount a casual user would take to be high on meth for a single night. She expressed to LaPorsha however that she felt like I should have given her all of the meth:

I think that the Universe was intending for that to be my meth wallet!”

I do understand where she was coming from in an “every cloud has a silver lining” kind of way. She had just experienced significant misfortune so she was most deserving of significant good fortune. Maybe I even specifically found it because of her loss. Still like a home run ball at a baseball game I was the one that caught it regardless of how bad a day the kid sitting next to me might have been having.

It would have been nice if she’d offered to buy it from me for significantly less than current market value. She had just lost a decent chunk of cash (and for all I know a much smaller quantity of meth) in her wallet but she always could have offered a future electronic transfer of some agreed upon amount. That would have been a win-win for everybody.

Maybe I was being unreasonable. Tina, if you’re reading this now and I had a Time Machine I’d totally just give it to you and call it a day. It certainly didn’t do me any good.

I did feel a little bit guilty about keeping it a secret from Roxy and Lulu that I was transporting drugs in their van. Still from a legal standpoint Roxy having no knowledge of it’s existence was the best possible outcome if it was going to be there anyway. In the unlikely event that we were pulled over she would have no reason to behave nervously and raise suspicion and if it were somehow discovered I could easily claim ownership and probably be the only one arrested.

I had hidden it pretty well.

This is actually the moment that I consider to be the most entertaining in this story and the reason I decided to type it up in the first place. I had hidden the meth inside of a Worlds of Wonder Talking Mother Goose and Hector. Man I really just want to write that again.

The meth was inside of a Worlds of Wonder Talking Mother Goose and Hector.

For the unfamiliar Worlds of Wonder was the company that created and marketed Teddy Ruxpin. Their main innovation was to use the left and right channels of an audio cassette to combine a story with instructions for simple animatronics. You only hear the channel with the bear’s voice coming out of the toy but the opposite channel is full of weird sounding noises that tell the motors in the mouth and eyes when to move.

Teddy Ruxpin was eventually supplemented by a caterpillar named Grubby. While only Teddy Ruxpin can play cassettes Grubby also speaks and moves his eyes and mouth by way of a special eighth inch cable between the two toys. Anyone familiar with audio work will notice that the plug on this eighth inch cable is slightly longer than the usual one on headphones and aux cables.

That extra little bit is for the robotics stuff.

When they created the Talking Mother Goose toy they decided to use the same technique from Grubby to add a small duck looking character called Hector to talk along. The main book he works with is called The Ugly Duckling so it’s possible that he is actually intended to be a very young swan. I’m embarrassed to admit that I’m not as knowledgeable about all the Worlds of Wonder lore as I’d like to be.

Since moving down to San Diego my main source of income had been buying vintage toys at yard sales, swap meets and thrift stores and then reselling them on eBay. I had gotten especially lucky with one big yard sale by my mom’s house but I was also at the point where I could look over a box of random toys and recognize obscure monsters from The Real Ghostbusters line and that sort of thing.

The same yard sale had netted me a Teddy Ruxpin and Grubby but I had already sold those off along with nearly everything else I’d accumulated. For the rarer stuff I always seemed to get the most money from an auction as opposed to a fixed price and offers and it just worked out that our ride with Roxy and Lulu coincided with a day left on this last auction.

Here is the video I made to assure potential buyers that the two toys were functioning properly:

Deep Worlds of Wonder fans will notice that this is the later version of Talking Mother Goose where the head does not move from side to side. You will also see me and LaPorsha’s first cat Catrick wearing the blue leather harness that we found for him in Tijuana. He was actually fairly used to traveling and even going to parties but we decided to leave him with my mother when we went to look for trim jobs.

An interesting and unexpected coincidence was that the woman from White Tiger’s house called me the exact moment we were pulling onto the freeway toward the Bay Area to tell me that she’d gotten the Vicodin and see if I possibly found a tent for her. I wish I had found one for her, mostly because she was older and had health problems but there was too much other stuff going on with the shows and everything and me and LaPorsha didn’t have our own vehicle yet.

Now that I think about it she used to ask me if I could help her find anything for “energy” or to “stay up” when I’d come by White Tiger’s house to buy pills from her so she probably would have been down to trade the Vicodin for the bag of meth instead. The idea didn’t even cross my mind at the time.

We stopped very briefly in the Highland Park neighborhood of Los Angeles because Roxy and Lulu wanted to go to a Farmer’s Market. I wanted to try to unload the meth but didn’t have any ideas as to what part of that neighborhood to go to or anything. I bought some tacos for me and LaPorsha and while I was waiting there was a standard issue but slightly on the softer side looking cholo guy waiting across for me.

I asked him if he fucked with meth and he said he did. I gave him a tiny bit to try in the bathroom but he only had around ten dollars on him. I gave him what seemed like twenty dollars worth but showed him how much I had and told him I was trying to get rid of it cheap if he could call anyone that might be interested.

He seemed like he was in a similar situation to me in that basically every person in his life wasn’t cool with this particular drug and he had to keep it a secret from everyone around him. The difference was that he did actually like using it while I do not. There wasn’t anybody he could call.

We continued on to Oakland and Roxy and Lulu dropped us off at Tuna Town. I really like those kids and would love to hang out with them again under better circumstances. The secret I was keeping and constant nervousness around the possibility of getting pulled over detracted from what should have been a really chill ride up a boring chunk of 5.

Maybe they’ll need a show between the Bay and Portland and decide not to do the coastal thing – that would be really cool.

So now there was no longer the lingering fear of complicating other people’s lives or getting them in trouble but I still felt like I had to get rid of it before making the trek to marijuana land. If I knew then what I know now, that half those weed farmers are tweakers and it’s worth more farther from big cities, I would have just brought it along but we didn’t feel like it would be a good look or reputation while searching for trim work for the first time.

Me and LaPorsha tried hitting up a few people but everybody said they didn’t know anybody that fucked with it which is completely understandable. I don’t currently know anybody that fucks with it – at least not very well.

I decided to try walking toward the triangular park on San Pablo because the last time I lived in Oakland I had a decent amount of success finding pain pills there. LaPorsha decided to come with me, probably because she was worried something might happen to me. We walked until I saw a guy who looked like he fucked with hard drugs sitting on the bus stop in front of that closed down 24 hour burger spot that used to take forever to make your food at night.

Maybe some other Oakland people remember this spot. I’m talking about the one that was directly across from Ghost Town Gallery where I recorded my live album called Nothing Happened. The spot was really tiny and might have had one of those San Pablo Giant Burger signs. No inside seating, just a take out window.

The deal with that place was that it was owned by a brother and sister and was essentially two different restaurants as she ran it during the day and he ran it at night. In the daytime it was pretty normal and reliable – it didn’t get too busy and the lady was very talkative and finished your food in a reasonable amount of time.

At night it was always insanely busy and the brother was always too stoned to function.

I’m talking about circa 2009 or so. It was the only possible 24 hour food spot in that part of Oakland and there was usually a decent sized line of punks leaving punk shows and super dressed up hood guys who must have been coming from a popular nightclub in the area I don’t know about. Actually good hamburgers take a long time to cook to begin with but this was amplified and exacerbated by how cartoonishly out of his head on marijuana the guy cooking the burgers and taking the orders was.

A regular hamburger took at least an hour and at the end of the hour he might have just forgotten about you and you need to order it again or cut your losses and go to sleep. I remember one night when he announced that somebody’s cheeseburger was ready and all the guys in line had ordered regular hamburgers but they started offering him double or even triple the price just to be able to get something that was actually ready. He didn’t let anybody buy it because he was worried that the actual person who ordered the cheeseburger might come back which still hadn’t happened by the time I got whatever I ordered an hour or so later.

Anyway the place went out of business not too long after and different restaurants opened in the same spot but never lasted long. I haven’t been to Oakland in a while so maybe there’s a successful business in there again. At the time of this story it was vacant.

I sat next to the guy at the bus stop and asked him if he fucked with meth or knew people that did. He said he was interested but I needed to wait for a minute so he could get well. He had a pill bottle with some black tar heroin and was adding powdered milk with a folded lottery ticket. The bottle had a couple of pennies in it for weight and he shook it to combine the two substances.

This was my first time ever seeing tar heroin prepared for insufflation in this way. I had used dope around San Francisco in the early 2000s but I was shooting it and so were the people I had been using with. A couple years earlier at Apgar some guys on the block had said that they could get me powdered heroin but it had to be made in a blender. I always pictured some kind of sophisticated machinery and never would have imagined it was just the simple household items in front of me.

After trying this one time I decided that I got a better high from doing a cold water extraction on twenty dollars worth of Vicodin and didn’t ask the neighborhood guys to score me heroin or “hop” again. I’d imagine that sounds hard to believe to a lot of people – in my earliest years of heroin use I assumed that prescription pain pills would be so weak in comparison that I wouldn’t even feel them. Of course that isn’t true and Oakland always seemed to have especially shitty heroin – even weaker than Portland although the second city is much farther from the Mexican border.

I waited for the bus stop guy to use the same folded lottery ticket to shovel several heaping piles of the powder he’d just created into his nose. He had the same constant sniffle of everybody who habitually consumes tar in this way. He asked me if I wanted any heroin or cocaine but I told him that I was only interested in money.

I hadn’t put a specific number on how much I thought the bag of methamphetamine I had found might be worth before this point but in the moment I decided on sixty dollars. Looking at the number now it doesn’t even seem worth the risk of traveling in a vehicle with it from San Diego to Oakland but that’s drugs. You take outsized risks that are never worth the money.

He counted out sixty dollars and handed it to me so I handed him the bag of meth. He crushed a small amount of it and sniffed it then immediately said that it didn’t burn and seemed to be weak. I hadn’t sniffed any of it myself but knew it was moderately potent from injecting it. That wasn’t the point anyway. He was working his way up to ripping me off.

He then said that the bag was small and looked like less than a gram which was definitely not true. I wasn’t as familiar with sizes and quantities back then but it had to be around two grams give or take. I told him if he didn’t like it he could give it back to me and I’d give him back his money. He said he was keeping the meth and repeated the demand for me to give back the money.

LaPorsha had been standing behind the bus stop and waiting. I stood up and said that if he was determined to keep the drugs we evidently had a deal and we started walking down San Pablo in the opposite direction of Tuna Town. He jumped on his bike and started riding on my heels repeatedly demanding the money back.

I don’t know what I would have done or what would have happened if I’d been alone but with LaPorsha with me I didn’t want to take the risk of him doing anything to her and just gave him the money back. By myself I probably would have tried to run somewhere a bike couldn’t follow but who knows how that would have even worked out. I also wouldn’t have wanted to lead him back to Tuna Town.

He was heavier set than I was but I wasn’t particularly afraid of him. I just wasn’t interested in fighting him over sixty dollars. Mostly I just picked the wrong guy – he was a sniffly dusty annoying motherfucker; not worth having anything to do with. My situational awareness was off.

Years later when we were homeless junkies in Oakland I never would have gotten ripped off by someone like him but that’s not some huge flex. It’s better to get ripped off by someone like him and not be a homeless junkie. Mostly they were just two different times in my life. It’s not like I’ve got huge regrets on either end.

From the moment I found it the bag of meth was a… I don’t know what to call it. It seems like there should be some reference in folklore like a monkey paw or albatross but nothing seems to exactly fit what I have in mind. Something that seems like a boon when you find it but ends up being a burden until you finally get rid of it.

I’d say bad penny but who gets excited about finding a penny? Maybe bad twenty would be more appropriate. Or just bad moderately sized bag of stigmatized hard drugs you don’t especially like using…

The Talking Mother Goose and Hector sold to somebody in Germany which shouldn’t be that surprising if you’ve ever sold Worlds of Wonder talking storybook toys on the internet. The buyer eventually sent me pictures of damage where I knew the pieces of the mouth or whatever it was could just snap back together but I had to give them a partial refund. That’s kind of on me – I should have done a better job packing the toys and adding reinforcement and padding around their heads.

This story is working out to end on a bit of a bummer note and while that can be cool I’m not really in the mood for it. So I’ll end it like this:

While we were still staying at Tuna Town I was walking back there one night by myself when I came across a tiny baby opossum sitting in the center of the roof of a parked car. The car was under a tree so presumably it had fallen or climbed down. When it saw me it tried to run to the different edges of the car’s roof but I would stand at those edges so it would retreat back to the center of the roof and I could keep looking at it.

I wanted to go get LaPorsha and bring her back to show her but I knew that as soon as I was out of sight it would climb off of the car and back into the tree. That was probably for the best. At a different point in my life I might have tried to catch it in my hands but there was no need for that.

There will be other baby opossums to show LaPorsha…

New York 2008 : The Bus Part Two “We Know When We’re Not Wanted”

Part One

The engine troubles that had required the overnight at a Cummins in the small town in West Virginia had not been resolved. In fact we had to stop in another small town in West Virginia where heavy rains had created a temporary chocolate river of muddy water to perform what was essentially a “magical oil change”. As one of the vocalists in Living Hell I had created a character called Deacon Peafowl who was kind of like a revival preacher for the kind of Ceremonial Magic championed by the Order of the Golden Dawn.

I had also been carrying a mummified squirrel in a little red fringed suede purse that had been discovered directly under the bus’s engine the moment it was moved from the backyard spot in Tampa, Florida it had been occupying since the International Noise Conference. There was a running joke that this squirrel had cursed us with it’s dying breath, calling out “nuts to you guys!” as it stiffened with rigor mortis beneath it’s future haunting ground. This joke had seemed innocent enough when just moving the bus from the backyard had caused a valve for the grease tank to snap off and flooded a suburban cul-de-sac with rancid French Fry oil made only more pungent from months of stagnating.

By the time we got to the chocolate river there had been enough mechanical troubles to elevate this idea from joke to valid concern and cast serious doubts as to the wisdom of continuing to carry our own version of the Ancient Mariner’s albatross. It was time to jettison the squirrel and having found ourselves in a near-biblical flood the decided-upon method would be “Viking Funeral”. A small oil can was cut open to serve as boat and a few small tokens were placed along it’s passenger either as offerings or “bad pennies” to be disposed of.

We had been kind of toying with the idea that Living Hell was the evangelical musical wing of an obscure religious cult in different ways: both through vague wording in the mis-information pamphlets I had produced and in the messages within my lyrics and Rain’s spoken word segments. Now that we were making a singing procession to a river bank and reverently lighting a deceased rodent on fire to watch it disappear beneath the swirling waters the lines had been blurred as to whether this was performance, parody or earnest spiritual practice. There is an Igbo expression I am fond of that I read in an essay by the Nigerian author Chinua Achebe:

Let us perform the sacrifice and so leave the blame on the doorstep of the Gods.”

It seemed to have actually had the desired effect – for one or two hundred miles at least. The journey between the chocolate river and New York City was actually devoid of major mechanical issues to the best of my recollection. This changed dramatically on the threshold of that metropolis: the moment we moved to enter through some kind of turnpike or toll-way the bus began violently ejecting hot grease from somewhere it shouldn’t have been that was nearly the same color as the magical river. The attendant quickly closed our lane and asked us to just move along as soon as physically possible without worrying about the toll.

We joked that it would have been a good method for avoiding tolls and tariffs in the future had it not been a portent of serious issues that actually desperately needed fixing.

I can’t remember if we had one or two days in New York before our show at Secret Project Robot but I do remember what the most exciting thing to do in town was. The Whitney Biennial had been a must-see event since the 2002 iteration had given an entire room over to costumes, sculpture, projections and music from the Fort Thunder collective FORCEFIELD. I’ve been to so many of these at this point that I’m almost certain to misplace specific pieces except for the one clear detail that Olaf Breuning’s first home video was on display and everybody was buzzing about it.

I had been wearing a six inch long dagger in a leather scabbard at my waist for the entire tour at this point and had totally forgotten that New York City actually has specific laws against that sort of thing. It was incorporated into the performances as athame with specific lyrics blending the concepts of metal, fire and magical intention:

Cut the wick, light the spark!

Be the candle, pierce the dark!”

One of the security guards approached me and discreetly pointed to the prohibited weapon:

That’s a real knife?”

I answered in a completely neutral tone that carefully skirted the division between a clear yes or no:

“Well it’s a dagger.”

Apparently this was the correct answer, he held up the palms of his hands in a conciliatory gesture as he assured me:

I won’t say nothin’.”

Eventually everybody made their way to Williamsburg for the late afternoon show at Secret Project Robot. I remember hearing that some photos and a review from this show ended up in the Village Voice but this writing project has been unfortunately teaching me that alternative weeklies don’t generally bother with comprehensive online archives. Here’s what I do remember: this was my first time running into my San Diego friend Raul de Nieves in his incarnation as a successful New York artist. There was a group show up on the inside of the space that included a small room painted completely black with an oppressive doom metal soundtrack.

I ended up eating acid again which makes me think it might have been almost a week after the small town in West Virginia with the Cummins but then I lay my memories out and remember that I also ate it to walk the Freedom Trail in Boston and go to a dinner party in Liberty, Maine and there’s just no way all of these things were a week apart. I was just eating a lot of acid. With such frequent use it would seem like I would have been developing a tolerance and experiencing diminishing returns but I clearly remember it being potent each of these times so it would either have been really good or I was just to the left of the “overdoing” it line.

This was the only time on the tour that I had taken it just before one of our performances but that’s not too crazy of an undertaking in the dilettante-ish lead vocalist role. We played with one group that had elaborately sculpted costume heads that looked like the figures on totem poles and another group in costumes that played drums with smoke machines and strobe lights. We played with a band that Ned Meiners had at the time called Gold Dust that was probably my first time meeting him. It was maybe a power trio and I really liked it and tried to convince them to just get on the bus and come with us but Ned said he had to work:

But your job probably sucks and your band is really, really good. This is probably the best band you’ll ever be in.”

I can’t seem to find any recorded music or evidence of this band existing online but I still stand by what I said. CCR Headcleaner certainly had it’s moments but by 2008 I had been to a lot of shows and seen a lot of bands and wouldn’t have gotten this worked up if they weren’t actually great. From 18 to 20 I was probably getting this excited about one or two bands at every show I went to but by 2008 it was one or two bands an entire U.S. Tour.

The show was over and we were packing up to get out of town before it was even dark. Now that the crowds had dispersed and nobody was playing loud music anymore a couple of cops decided that it would be the perfect time to show up and harass us. They were asking really stupid questions about what we were up to as we were clearly doing everything in our power to stop being in their jurisdiction as soon as humanly possible and picking up discarded half empty beers from the ground and asking who they belonged to as if anybody would actually be stupid enough to say:

Oh, that’s mine. Please write me a citation for an open container.”

This whole time Kloot, a lab-chow mix that Upper Dave travelled with, was losing his shit and barking his head off because he hated people in uniforms. It wasn’t just cops, he also had a deep antipathy for firemen and UPS drivers. For most of the tour this only served to make our frequent police encounters more tense and exhausting but this time around it was actually helpful:

Ok, we get it. We know when we’re not wanted.”

They got back into their car and left. It was kind of like when an ATM spits out an extra twenty or a hawk swoops down to grab a rat from a crowded street: nobody could quite believe it had just actually happened. It occurred to all of us that if they actually knew when they weren’t wanted it would have to be something they were nearly constantly aware of and it also seemed deeply out of character as most cops nearly always act like they’re God’s Gift to people whose lives are about to get shittier and more complicated.

By now it was dark and we were driving out of New York City. As we were passing under an expressway we either got stuck at a long light or some minor issue needed adjustment or somebody needed to consult a map. I only know that we sat there for a minute and a German girl was staring at our bus in wonder and I hopped off to talk to her. She said that it looked like the train from a German children’s fantasy book called Jim Knopf. She was visibly enchanted, I mean to the extent that her eyes literally sparkled. I fell in love with her a little bit and the entire situation and New York City and us existing like something out of a fairytale for her that suddenly materialized out of the night and would disappear just as quickly.

It wasn’t just that I didn’t know anything about her and would never see her again, it was that the romance of the entire encounter was contingent on those two details.

We parked in a town called Orange, New Jersey at the newly branded September 11th Memorial Scenic Overlook. Everybody was going to sleep but that was out of the question for me. Fortunately the rest stop featured several acres of sprawling forest. I didn’t have a flash light so I walked in the dark until I could see in it. I came across a deer that I must have been upwind of or it was really into grazing or I just walk really quietly. Probably a little bit of all three. Regardless it didn’t notice me until I was almost close enough to touch it and it screamed in horror and ran off into the woods.

I had never heard a deer scream before this point and it isn’t something that I’ve had an opportunity to hear again since. I don’t really know how to describe the sound except to say that it sounded really frightened. One of my cats actually tried to intimidate a deer fairly recently but he didn’t frighten her at all. She stomped her hooves at him and put him in his place so she could go back to eating the grapes in the compost pile.

I walked through the woods until the light started to come and I could finally truly see what the woods I had been walking in for hours actually looked like. At the time I thought it was the most beautiful forest I had ever seen but I wouldn’t say that now. The woods that I own and live in and am the steward of are definitely the most beautiful. I didn’t totally realize this until I had written it all down but it sounds like the LSD had definitely put me in a state where I was falling for Ned’s band and some woods in New Jersey and a German girl that I only met for about thirty seconds. It wasn’t always like that for me but clearly it was this night.

Just before I was finally ready to fall asleep I came across a single, gigantic morel growing under a tree within view of the path. A lot of people I know are afraid of eating wild mushrooms but that isn’t the case for me: morels, boletes and chicken of the woods don’t really look like anything dangerous. There actually is a toxic mushroom they call false morel but it doesn’t convincingly look like the real thing. It must have been at least eight inches tall. I brought it back onto the bus and fell asleep dreaming of cooking it the next time we ended up having access to a kitchen. I slept for two solid days.

When I woke up I found out that somebody thought it smelled rotten and had thrown it away.

Next Part:

Providence 2000 : Fort Thunder Part 1 “A Millennial Mecca”

The dense walls of trees on either side of the highway had been reaching upward and bending inward until they met in a living arch of the darkest green that isn’t black. Beneath this tableaux the road had merged with the cloudless sky in a black tunnel where the stars and lights appeared to be rushing toward me like the voids of space in an interstellar flight simulator video game. Directly ahead of us was a bulky orange shape resembling a futuristic spacecraft that had been designed to mimic a firefly. Every couple of seconds it emitted a crystalline, tinkling sound and released three pairs of flickering wisps in opposing diagonal formations that slowly dissipated into the surrounding air.

Everyone else in the car had fallen asleep. I looked over at my friend Dave who had been quietly driving through the night and smiled.

“It’s beautiful”

Some of my readers will have no doubt guessed, correctly, that this confusing depiction is evidence of my having finally taken leave of the persistent straight edge. An early summer in San Diego had introduced me to the mind altering potential of several over the counter drugs and the boredom of a lengthy road trip had caused me to stretch experimentation to excess. Every place we stopped for gas just so happened to be within eyeshot of the welcoming illuminated letters of an all night pharmacy and just shy of my 20th birthday I had become an experienced shoplifter. A truly accurate audit would be impossible due to the ensuing oblivion but I can say with certainty that I had at least ingested a bottle of Dayquil, a tube of Dramamine, a package of ephedrine and multiple packages of Coricidin.

It should go without saying that I do not endorse the consumption of such dangerous quantities of any of these drugs much less all of them together.

It was, without a doubt, the most intense and terrifying psychedelic experience of my life.

With that explanation out of the way it is time to address a matter that should be of even greater interest to many of my readers: our destination. Fort Thunder had been a mysterious name that seemed to manifest on every piece of art that excited me in multiple genres. While experimental music was a more recent love, comic books had been essential for about as long as I could remember. In fact it had frustrated me throughout my adolescence that while peeling back the covers of a Jack Kirby comic book could nearly always reliably transport me to the fantastic worlds there depicted the most exciting record covers led only to mere Rock Music.

Music had finally started to open up in High School. While I happily skanked along with my cohort and followed friends to the odd punk show the most satisfying discoveries came from spelunking the mountains of vinyl in Second Hand Shops and Used Record Stores. My High School’s library had fortunately discarded an obsolete edition of The Trouser Press Guide to New Wave Records and my parent’s garage had offered up a portable turntable called the Disc-O-Kid. With these two totems in tow I never had to be disappointed by misleading cover art again. If a record piqued my interest I could both read about the artist and listen to the actual music before making the final purchase.

As a budding aesthete with next to nothing in the way of pocket money these advantages were indispensable. While most of my favorite discoveries were pulled from unsorted dollar bins one specific entry in my guidebook pushed me to do the unthinkable. The passage on The Residents was so beguiling that I happily parted with an entire twenty dollars for the chance to bring home a record I hadn’t even listened to.

I have written elsewhere about the midnight cities of my dreams, geometry defying vistas pulled subconsciously from Dr. Seuss and The Cabinet of Dr. Caligari. From the moment I set eyes on The Tunes of Two Cities the cover art by Poor Know Graphics looked like it had been pulled directly from these landscapes. Back in my bedroom the impossible happened, the music also sounded like it had been pulled from an untouchable nightmare. Disinterested fatuous cocktail jazz traded tracks with the terrified cries of subterranean synthesizers until the disparate styles somehow absorbed and synthesized one another.

Back in the world of comic books I had abandoned the colorful ecosystem of ‘80s Marvel for the offerings of DC’s “mature audiences” Vertigo line. Eventually this curated content began to feel passé and I dove into the world of Black & White Independents, often once again in unsorted dollar bins. By 1999 the only thing I really liked was Jon Lewis’s Ghost Ship and Spectacles. One day I walked into a comic shop and my eye caught a tiny screen printed mini called Bolol Belittle. Mat Brinkman’s wordless pages of tiny creatures crawling through an uncaring world ignited that same feeling of somehow staring into a waking dream.

On the music front I had discovered a Japanese inflected twee-pop scene centered around the San Francisco State University Student Union. The Monotract concert back in Chicago had also introduced me to a Champaign, Illinois project called Busytoby that in turn led to a synth duo called Mathlete and In a Lighthouse Cassettes, the first of many tape labels. Soon I was making diverse orders from The Blackbean and Placenta Tape Club while a holiday trip to San Diego had brought home a new housemate, Lil Four, whose tastes tended more toward “extreme” and “hard” music. I happened to read the Load Records insert on a Men’s Recovery Project album and was captivated by the description of a band called Lightning Bolt.

Fast forward through dropping out of college, a year in Chicago and my concert with Deerhoof and I was back in San Diego for the first half of a Summer. Frequent visits to The Fireside Bowl had resulted in the unnatural luck of catching the 1999 Japanese New Music Festival and a set from Ruins. Newly obsessed with stripped down bass and drum duos I started collecting albums from godheadSilo. Then a flip through a 50 cent bin of Seven Inches at the Hillcrest location of Off The Record turned up a familiar name: the Lightning Bolt/Forcefield split.

This tiny record had everything. The raw, frenzied sounds of drums and bass swimming through waves of distorted static with tortured, guttural vocals. Forcefield’s pod of scurrying synthesizers hearkening back to the distant dimensions of The Residents. A tactile screen printed cover that looked and felt like my new favorite mini comics.

I had the type of vintage cabinet record player that automatically cued up the edge of a preloaded record the moment it was powered on. All summer long the light switch in my bedroom fired up the Lightning Bolt side of the single and looped it until I went out again.

I couldn’t get enough of it.

At San Diego Comic Con I hunted for more of Mat Brinkman’s minis but everybody was buzzing about this older comp called the Coober Skeber Marvel Benefit Issue. I was blown away by the winding, claustrophobic panels of Brian Chippendale’s ink heavy Daredevil tribute. Somewhere deep in a copy of The Comic’s Journal I read the phrase “Fort Thunder Attack Flotilla” and realized the first half sounded familiar.

I realized that the exact same people who made my favorite new music in the world were making my favorite new comic books in the world. It all came from the same place and that place had a name and that name sounded exciting.

Flipping through a friend’s copy of The Beastie Boys’ Grand Royal magazine I found a blurb about costumed wrestling matches and apocalyptic welded bike gangs. All that stuff was happening at Fort Thunder too. On a very early version of a new thing called the internet I discovered that Fort Thunder had a website and that website had a phone number.

I decided to just call it up and ask if I could come live there and somebody (it turned out to be Jim Drain) picked up the phone on the other end and said one of the most powerful words I had ever heard in my life:

“Yes”

I was going to quite literally make a pilgrimage to the seat of the beating heart of my generation’s American Underground.

I was going to Fort Thunder.

Next part here:

Providence 2000 : Fort Thunder Part 2 “No Soap”

Providence 2000 : Fort Thunder Part 6 “Bread and Circuses; Friends and Monsters”

I can’t remember the exact dates but I think I was at the Fort for the last 3 weeks of August. I think I remember a quote from Mat Brinkman a few years later about how the people interested in comix were generally far less enthusiastic about noise bands and vice versa. While this is no doubt generally true I can say with absolute certainty that the Venn Diagram had at least a small sliver of overlap.

I lived there.

Being in Providence offered many opportunities to examine and collect artifacts from both of these circles. However while the comic book can be said to be most alive in the physical object the music side of things reached an apogee in the fleeting temporal spectacle called performance. I had heard stories about the legendary 1997 concert where Dan from Landed had set himself on fire and FORCEFIELD had basted the audience in the deadly vapors of an idling moped.

To me this legend was as vital as the infamous murders and church burnings surrounding the early ‘90s Norwegian Black Metal scene. Much like the celebrated happenings where John Cage gave recitals on burning pianos the artist on heroic quest to explore the boundaries of creation inevitably explored the dissident and iconoclastic power of destruction. Performances like the one I just described marked the geometrical asymptotes of this destructive impulse, briefly glimpsed through the Overton Window of the passing vehicle of convention.

While Fort Thunder was absolutely buzzing with the energies of creation my visit barely coincided with the species of bacchanal I was hoping to participate in. While Brian Chippendale returned toward the end of my holiday Lightning Bolt was on effective hiatus while Brian Gibson was attempting to relocate to NYC. Chippendale graciously allowed me to sate my prodigious appetite on his claustrophobic comic diaries but a home field repeat of the live set I had barely caught in Los Angeles was not forthcoming. Similarly while Dan St. Jacques was briefly present in all his gorilla chested glory I would not be catching any sets from Landed or the raucous Olneyville Sound System.

I visited Ben McOsker at the crowded apartment home of essential Providence imprint Load Records. He offered me a bulk rate on all the records I wanted and I filled the holes in my collection while discovering some new favorites. Astoveboat would become the soundtrack to a hazy few weeks in the following summer when I read Moby Dick, took meth and angrily fantasized about killing Gods and whales. He told me to grab the Scissorgirls 10 inch but I declined. He told me I’d regret it.

He was right.

I was making a mistake that was prevalent in the experimental music circles of the day. I failed to appreciate the creative powers of the feminine. In the years to come nearly all of my musical collaborations would be with women but at this point I was still young and stupid.

Raphael Lyon was filling the unenviable yet essential stations of House Mom and spokesperson but it was Leif Goldberg who most graciously took me under his wing. I remember spending hours in his room while he showed me screen printed comics, impressive flip books and an experimental film made from cross sections of colorful marbled clay. The creativity in the air was infectious; I spent days at Jim Drain’s desk making assorted items of construction paper collage: an unfortunately never finished wordless comic about a fantasy wizard, a copy of a He-Man tableaux as a gift for Drain and black and white prehistoric scenes in the vein of Mary Fleener that made it into the following issue of Paper Rodeo, albeit out of order. [author’s note: if anybody might have a copy of this issue and could send an image I’d be most grateful. It was the Fall 2000 issue with the Ben Jones cover. The piece is reproduced quite small and features skeletal apes and dinosaurs]

Goldberg showed me around the screen printing studio while he put together an impressive issue of the Monster anthology and posters for an upcoming Fort Thunder concert to be held on the eve of my 20th birthday. He took me on his bike rides to wheat paste these posters around town which came in extremely handy when it was time for me to put up flyers for the upcoming xbxrx concert I had ended up organizing. I practiced on the roof with a green and blue toy guitar with preloaded rhythms and chords produced by plucking tiny metal wires but somehow never got up the gumption to ask if I could jump the bill.

I had no problem asking complete strangers if I could cross the country and live in their home but struck a hidden vein of adolescent shyness when it was time to ask to perform inside of it.

Show Night finally came around and I got to see the Fort come to life in concert mode. Peter Fuller set up an espresso stand that I later donated the bottles from my raft to and shipped a kilo of Italian beans when I started working for a Sicilian sociopath in Chicago. The show was opened by Duct Tape Union and another project I seem to have forgotten the name of. Colin Langenus from USAISAMONSTER had been obliviously sleeping until minutes before their set then quickly brushed his teeth and took the stage, earning him the affectionate nickname Sleepy Tooth. While their live set was amazing the truly life changing consequence of meeting this band was an initiation into the illicit fellowship of the counterfeit Greyhound Ameripass.

They also introduced me to my aforementioned friend from Benefit Street who would become a lingering crush for the remainder of my visit and several years to follow.

Finally the crowd was ushered into an alley behind the building for a last performance. Friends Forever offered the exact type of heretical live show I had been so fervently pining for. They were my first introduction to what I would call the “extreme noise tour lifestyle”, shunning brick and mortar venues to blast their infectious tunes from the inside of their actual tour van and accentuated with smoke machines, lasers and fireworks. I danced with abandon as the midnight hour ushered in my 20’s. Nate Hayden and I bonded over a shared enthusiasm for Coricidin and he gave me a cassette of recordings he had created under this unhealthy influence: Wizard 333. One of the tracks was entitled Fungi from Yuggoth which boosted my enthusiasm substantially.

While my floating exploits on the Woonasquatucket were still to come this night was undoubtedly the climax of my days at Fort Thunder. Much like the 1998 The Makeup concert of the introductory chapter this night felt like an initiation ceremony in which I was inducted into the secret society of the Underground. Big changes were on the horizon as I left my teenage self behind and began the adventure of adulthood. In a little more than a year Fort Thunder would become a memory and the naive innocence of ‘90s subculture would be forever shattered on a day called 9/11

The night before my departure brought a rare instance of the type of fellowship that is only brought about by shared consumption of alcohol. While I had spent the entire summer exploring the psychedelic potential of various over-the-counter medications I could count my experiences with alcoholic inebriation on a single hand. I drank the entire bottle of Brass Monkey that had been gifted to me during my maiden voyage and became embarrassingly drunk.

Dan St Jacques was front and center for this excursion in his trademark straw hat that looked like it had been stolen from a donkey. A rag tag crew on tall bikes, choppers and other monstrosities set out to explore the city and raid a popular bread dumpster. I fell on my head, cursed St. Jacques for snagging the only olive loaf and generally made a fool of myself until it was time to climb into Jim Drain’s bed for the final time.

I woke early the next morning and left a note for my absent host, contributed a pittance toward his outstanding rent debt and trudged across Federal Hill for the final time until I reached my bus to Chicago.

I spent the next twenty years hunting for regional undergrounds with the same type of creative Zeitgeist as Fort Thunder and turn of the century Providence. I lived in Chicago, Oakland, Los Angeles, Tijuana, Portland, New Orleans and San Diego. I visited Baltimore, NYC, Philadelphia, Berlin, Oslo, Panama, rural Maine and countless others. While every one of these destinations pulsed with currents of authentic underground energy the closest I would ever feel to my days at the Fort would be my time on a fleet of junk rafts, touring on a city bus turned concert venue and participating in a small but magical occurrence known as the Mojave Rave.

I dedicate these stories to the one’s who were there but more importantly to the kids who would never have the opportunity. For all the ones who only heard the name Fort Thunder in reverent whispers when it had already become as unreachable as Avalon or Tir Na Nog I humbly hold out my hand.

Climb into my eyes, my ears and my memories; I’ll take you on an adventure to a magical world that lives on forever in the eternal optimism of youth,

a place called Fort Thunder