The Miss Rockaway Armada Part Ten : “Let’s go clubbing!”

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7

Part 8 Part 9

When the rafts were still in Alton and for the first week in Saint Louis people were constantly approaching and asking how they could help. As much as I was a new guy onboard my camp counselor-like personality meant that I was instantly an ambassador. It was heart warming how much people who looked nothing like us were ready to offer all lengths of material aid they moment they set eyes on what we were doing.

In Alton a pair of older women drove me to a grocery store and told me to buy two hundred dollars worth of whatever our galley needed – mostly fresh vegetables as it easiest to only cook vegan meals so no one would ever be excluded. Somebody else had dropped off a heroic amount of fried chicken and some gallon jugs of Milo’s Sweet Tea. I have to confess that I succumbed to temptation and broke my pescatarian diet at the time to munch down a couple of pieces late one night when nobody else was within eyeshot.

I doubt I was the only one – while vegan was the most common onboard dietary preference the chicken was steadily disappearing somewhere. This wasn’t the case for some odd looking jars of preserved venison that another anonymous benefactor dropped off. While everybody was curious to look at it I never saw anyone open a jar to eat any.

I heard stories about stops upriver where the populace was less welcoming. In one town some crew members broke into a school to use the showers but got arrested because they let themselves fall asleep on premises. That created some bad blood. In another place the rafts were treated as bad harbingers:

We know you River Gypsies brought the flood!”

Once we were docked at Cementland we were no longer visible from any road and most curious locals showed up by water. One morning a friendly fisherman showed up on a Jon boat and asked if there was any assistance he might be able to offer. We were good at provisions at that point but the charge was running out on the deep cycle batteries we used for lights and keeping everyone’s phone charged – unlike Alton there was nothing close enough to run an extension cord.

I asked if he could help charge a few of the batteries and then helped load them onto his boat and rode along to go plug them in where he lived. Once he got a little more comfortable with me he asked if anybody on the rafts smoked marijuana and I told them that of course many people did. He gave me a sandwich bag full of pre rolled joints of Mexican brick weed that henceforth lived in a dried out tortoise shell next to the sink where people brushed their teeth.

I can’t remember them ever running out but I do remember Caryl loudly complaining when she wanted a cigarette and the only thing around was endless free marijuana. At the time it felt like one of the moments, like simply living on whimsical storybook rafts, where it seemed especially poignant that the ordinary circumstances of our day to day lives would align with most peoples’ daydreams. Now I’ve worked on marijuana farms and stopped smoking the stuff due to panic attacks and it seems far more mundane for there always to be a surplus of the stuff everywhere.

I can’t remember how the big head carp came up but seeing as we were on a boat with a motor the conversation probably started with one of them leaping aboard. I looked back through the old chapters to see if I’d talked about the carp, or “flying fish”, but I didn’t see anything so I guess I should explain it here. Carp are filter feeders that literally eat other riparian organisms’ shit so some time before 1993 the owners of commercial catfish farms started importing them to help the breeding ponds clean.

Despite assurances that they would never escape into the surrounding environment the big flood of ‘93 resulted in many of the fish escaping into the Mississippi River. As an invasive species with no natural predators they have bred out of control since that point and come to dominate the river – displacing native species and at times growing large enough to weigh hundreds of pounds.

There are special underwater electric barriers to prevent the carp from ever reaching the Great Lakes but I haven’t lived in the MidWest for a while and couldn’t say if these eventually failed and the fish made it through. Anyway they have an adaptation that causes them to leap out of the water every time they hear a loud sound. Any time a motor was on they would leap onto the surface of the rafts – people wore helmets because getting clubbed over the head by an oblivious fish represents an ever present danger.

I remember seeing cool YouTube montages of boaters getting knocked overboard lIke this and a super satisfying shot of one beaning a dude in the crotch. I couldn’t find any good ones when I looked just now but if anybody has a good link by all means send it along and I’ll stick it in here.

Because the carp were bad for the river’s ecosystem we would make a point of beating them to death any time they found their way onto our decks. Me and Ellery used to shriek “Let’s go clubbing!” in exaggeratedly flamboyant voices before reaching for the closest wrench and going to town on them. In a pinch you could just grab the fish by it’s tail and swing it’s head directly against the plywood or I’ve even seen people quickly use their teeth to break the spines.

Because we were killing the fish anyway we figured we should try to make some culinary use of them. The most successful way was to boil them until the meat could fall off the bones to make a soup. This guy named Gabe usually cooked it – last I heard he was running a bar in some frontier town in Montana or something and had grown a big mustache.

The thing about Carp is they are impossible to fillet and their flesh is mucilaginous which basically means slimy like boogers. They’re pretty gross. The last time I bothered with one at all I only ate the three most muscular chunks under each of it’s fins as sashimi. This was only moments after Harrison helped me cut it’s head off with a giant rusty cleaver he called “Broot Strength” and I used it’s still twitching body as a plate while Harrison brought me soy sauce and wasabi in fancy little gilded dishes.

A visiting photographer friend named Brooke or Brookes took pictures but the links he’d sent me were in a Yahoo account I’ve long since lost access to.

Anyway when I was in the guy who gave us weed’s boat we hadn’t given up on trying to eat the things yet and he was incredulous that we’d even bother and asked me if I wanted to go catch some. It was pretty fun – he knew where the rocky berms that attracted the largest numbers were and I got to practice snatching them up in a net as they leapt through the air.

The fish from this expedition were either the last time we bothered with the soup or we put it off too long and had to throw them away. I forget exactly which.

After he brought back those batteries we realized that it would be easier to just charge them across the street in the offices of Cementland. They were pretty heavy and dragging them back and forth was an everyday chore. You could kind of balance one right between the handlebars of a bike, especially one of the choppers with “Ape Hangers”, but half the trip was over grass so it was almost easier not to.

The rafts had an orange and white cat named Mary Kate and Ashley Olsen – she had always stayed close before but the lure of Cementland caused her to move on to a landlocked lifestyle. People said they would sometimes see her wandering the park around sunset but I slept there for about two weeks and never did.

Right around the time we arrived some local independent filmmakers were shooting a sci-fi movie over there and hired us all as extras for the big crowd scene. They gave everybody Tyvek suits and had us haul rocks and act brainwashed in one of the former factory buildings while the film’s heroes snuck behind us. That’s probably how me and Lisers found the old Greyhound bus that John Patzius had modified – it was parked underneath the awning of the same hangar like structure.

It wasn’t so much that the rafts had a lack of privacy and good places to sleep as we were just excited to explore this newly accessible theme park. The bus had been redone with deep red carpets and vintage furniture that for some reason didn’t include a bed. It might have been too hot on there or dusty but almost immediately we moved on to the gigantic smokestack.

It was full of colonies of pigeons but we just brought a tarp along with us so we wouldn’t be lying on birdshot. The acoustics were something else – there’s a special echo kind of like a flanged out shotgun blast you get when shouting or clapping into really long tubes, I’ve noticed a similar sound with the buried cannons at the Marin Headlands.

We invited some other folks from the raft to bring along instruments and experiment with recording in there. It was nice to fall asleep staring at tiny circular portion of the night sky through a little hole about two hundred feet above us – Lisers thought the stars made it look like a drawing of a happy face. We were usually up and moving before the sun had climbed high enough to shine directly into it and heat the place up.

We stayed over there until Lisers went back to Germany. By that point the raft project was over for most people and the last big to-do on that side of the river was a generator show for Warhammer 48K and Skarekrau Radio on top of the pylon. With everybody dancing on a concrete pillar seventy feet above the water and swinging out over on it on this metal gate there would have been a lot of ways for people to get hurt. Thankfully somebody thought to spray paint a warning onto a piece of plywood:

BE CAREFUL FOR REAL”

That seemed to do the trick. After the show me and the rest of The Garden of Bling crew started staying onboard our raft in East Saint Louis and only The Sweeps stuck around on the Cementland side. It was time to try to get our respective rafts moving again.

The Bling had a tiny little outboard motor that was only about 35 horsepower. Before they had modified it’s transom to include a steering system somebody had to stand on top of it while holding the edge of the wooden structure for stability and try to adjust the motor’s direction by using all of their body weight to shift it from side to side with their feet.

Corey Vinegar had been doing this when he fell into the water and disappeared under the propellor. Blood started floating up to the surface as he forced his head above the water and screamed for someone to give him a knife. Apparently his shorts had gotten tangled up in the mechanism and he needed to cut himself free before swimming to freedom. He had a big scar on his leg after that but got off relatively light considering how close it was to sensitive, vital areas and how sharp propellor blades are.

I guess I threw that in kind of casually. As far as I know it was the most severe accident and injury for both Mississippi River years of The Miss Rockaway Armada combined which is not bad at all all things considered. Any way Corey was with The Sweeps now and we were going to need a much bigger outboard motor.

Harrison found somebody selling a used 150 HP one somewhere nearby. We never actually got it functional but at least we spray painted it gold. I’ll get into that next chapter.

Next Chapter

Oklahoma City 2000 : “You going to ‘Run for your Fucking Life’ later?”

I’ve spent huge chunks of my adult life in San Diego and there’s many things I love about the city but in my late teens and early twenties I was mostly preoccupied with leaving. It’s a little on the small side and the cultural effects of Camp Pendleton and naval housing cause it to lean conservative. One of my vivid High School memories is a group of Marines threatening to kick my ass on the trolley because they thought I looked like I was in the band Spacehog.

College was a good pretext for getting out of town but after two semesters it was obvious that I wasn’t ready for that level of structure. Next Francois and I moved out to Chicago but we signed a lease on an apartment we hadn’t seen yet. We decided that we didn’t like it because none of the floors were level and the main room was dominated by a gigantic heater. We had already paid our first month’s rent and security deposit so we decided to just never pay rent again and leave once the landlord seemed to get serious about kicking us out.

A lot of my pieces pertaining to this era have gotten derailed over philosophical pearl clutching at my past behavior so let’s keep things at this: we were selfish, impulsive and didn’t have very much empathy for people like landlords at this stage of our lives. The eviction notice appeared on our front door in early May so we promptly packed up our things and made the default move of driving back to San Diego.

I’m not sure if the details surrounding this trip would add up to a piece on their own so I’ll get into some of it here. Francois had bought a 1960’s era white Volvo station wagon that looked like it came right out of a surf rock album cover or Trader Joe’s chalkboard art in the Summer of 1999. He never bothered to get a driver’s license or insurance either in California or when we moved to Chicago.

I was just getting started on my lifelong tradition of never helping with the driving so we brought a friend in both directions. On the trip out it was this guy Andy who used to drum in GoGoGo Airheart who we’d met at the pickup soccer games organized by Rafter Roberts from Singing Serpent Studios. On the way back to California we brought along Marianne – a goth/hardcore girl from Sheboygan who later built a room shaped like a coffin in El Rancho.

Me and Marianne had created this thing we called the Triple V Club: vegan virgin vampires. The first two are pretty self explanatory but for the third one it mostly meant that we dyed our hair black and tried to only go out at night and only eat candy from the gas station on Fullerton. Marianne had been only eating candy for so long that the malnutrition caused her to stop having her period – something she viewed as a bonus rather than a legitimate cause for concern. There was no chance that this had a more traditional cause because of the second “v”.

She kind of said the word as “Kendy” because she was from Wisconsin.

Eventually we had to dissolve the club because we both independently lost the second “v”. I had been dating her best friend Sara Lou and Marianne was dating this guy Aaron with really nice cheekbones who lives in Joshua Tree now. We continued being vegans. The vampire part was more debatable but I can say that for myself at least I was making an effort to eat a little better.

I just looked her up on Facebook and it looks like she got a couple of bat tattoos on her chest and continues to dye her hair black and only wear black. I’ve been more lax – I had the nickname “vampire dicknose” for a second but it’s been years since anybody has had reason to call me that.

So early 2000 we are driving back to San Diego when the Volvo breaks down in Oklahoma City. We coasted into the closest mechanic’s shop where it was eventually decided to undertake an entire engine swap. We spent a couple of days in Oklahoma City hanging around a Sonic’s eating tater tots and wandering overgrown river greenways where we could constantly hear the haunting screams of wild peacocks that we never actually set eyes on.

We followed the sloping river terrain upwards and ended up in what looked like it had been an upscale neighborhood before it was abandoned. We ended up in an orange stucco Art Deco style mansion with an empty pool. This was where we slept until finally leaving town – the only downside was the large ticks the same color as the building that we all eventually had to pry from the skin of our stomachs or more vulnerable and less mentionable areas.

The house had been mostly cleared of furniture and anything else that seemed valuable but nobody before us had been interested in the paintings. There was a handful of portraits done in a clean, confident style that seemed to have been done in the 1960’s based on the subjects’ clothing and hair styles. They had been done in temperas rather than oils and this added a striking visual effect where earwigs and silverfish had literally eaten away sections of the paint similarly to the lacework destruction you see in the pages of old books.

Francois and I pulled a selection of our favorite canvases off of the wooden frames for easier transport and brought them along to San Diego. The second best one showed a man in a white t-shirt with a bit of what you’d call the “thousand yard stare” even before insects had eaten the majority of his face – we took this one to be a self portrait. There was no question that the one of a girl in a blue and yellow dress seated on a bed was the prize – the piece was absolutely magnetic.

Like all great portraits it told a story about how the painter felt about the woman sitting on the bed – even if it wasn’t necessarily clear what that story was. Was the artist in love with her or simply in love with light or even with his own burgeoning skill at reproducing not just what was in front of him but why these things were worth looking at in the first place? Every previous looter before us had scanned over this canvas and judged it to be no more worth taking than the broken chunks of cement and plaster that littered the bottom of the empty pool but to us it was not just worth taking but worth fighting over.

I can’t remember if I’ve written about this yet specifically but when Francois first moved into my parents’ house the bedroom we were sharing had two twin size mattresses on two twin size box springs on a single California King frame. I was pretty used to sharing beds with my male friends – once a week or so I stayed over with Gabe Saucedo to experiment with recording and music with him and his brother Gerry and we had developed a routine of playfully threatening to murder each other if the other person tried any “gay stuff” before falling asleep in each other’s arms.

Anyway Francois and I had been cohabitating in much the same way – or at least the platonic spooning part, we never bothered with the ritualized threats part. Nothing untoward ever happened but I did decide one day that I would be more comfortable sleeping alone and dug a pair of twin bed frames out of the garage to set up separate beds on opposite sides of the room. I only point this incident out as the first rumblings of the impending and more permanent divorce as we couldn’t well spend the entirety of our adult lives together,

We would both need the space to stretch our legs out and discover what we cared about and who we were – separate bed frames as it were.

As with any separation between parties who had been collectively treasure hunting the question arose of who keeps the treasure. The woman in blue and yellow wasn’t the only point of contention, there was also a whale’s shoulder blade left over from The Natural Museum of California, but she was the main one. I don’t think this was so much about the quality of the painting, although of course it is an absolutely exquisite painting, but rather what the desire to possess it seemed to say about the person so desiring.

We both prided ourselves on being champions of beauty and exemplars of discerning taste. In retrospect I see our squabbles over which of us would become the receptacle for the painting as a form of allegorical sparring over which of us was the “master-aesthete” and which a mere journeyman. Realistically I can only speak for myself but when I unsuccessfully plotted to steal it from the wall of a place Francois was living called Praxis House on some level I was trying to declare my ability to appreciate it’s value as superior to his.

There was at least a little more to it for Francois as his Volvo never made it out of Oklahoma City. I’m at the point where I can’t even say with certainty which occasion of losing everything I owned it was that I lost the remainder of the paintings so I’ve grown less attached to physically holding on to these sorts of things and considered it consonant that Francois had ultimately been the one to keep it.

Imagine my surprise when I discovered that he no longer has it, not because his life has taken on anything like the degree of chaos that my own has seen in recent years but because it stayed with the other party on the occasion of his most recent major breakup. I don’t know enough about either their relationship or presumably amicable separation to comment on whether or not the portrait played the same sort of symbolic role as before but at the very least this detail stands as a testament to it’s finer qualities.

Back in the Oklahoma City of 2000 we leveraged our movie ticket scam to take in a screening of the early Tom Green film Road Trip. We were excited about how the movie’s theme related to our own current activity but didn’t find much shared experience. It looks like a lot of great movies came out in May of 2000 but the options at this Oklahoma City Strip Mall Theater were limited.

We lobby hopped to Dinosaur which I remember finding more enjoyable.

It became evident that the Volvo wouldn’t be returning to working order any time in the immediate future so the guys from the repair shop gave us a ride to the Greyhound station with plans made for Francois to return. We passed the memorial for the victims of the bombings – it was still fairly recent at this point. As we unloaded our bags we caught sight of a couple mullet heads riding BMX bikes and playing with switchblades in the empty loading bay. One of them had a tattoo of Hitler’s face in the center of his exposed calf.

The whole shameless display of Nazi iconography was jarring, not to mention the unorthodox choice of icons, but even more than that they just seemed tough and dangerous in a way that felt completely foreign to us. I mention this because by the end of the same year we would be living at El Rancho, playing with switchblades, using hard drugs and just generally being the scary, intimidating kids to other people. At this point we most likely would have viewed our future selves with the same mix of fear and fascination that we had for the BMX Nazi boys.

We also paid full price for our Greyhound tickets as this all took place before our initiation into the secret society of the Counterfeit Ameripass – another big change coming in a small increment of time. Scamming, as far as we understood it, was an art form and way of life. We’d been messing with pay phones, movie tickets, BART fares, crashing conventions and conferences and the like. The Ameripass scam would be elevating things to a whole other level.

Not quite yet though – we payed for our fares to San Diego and were met by my father who brought us home. Marianne and I were settling into the city’s art and music landscape but Francois had to go back to the Garage in OKC for the engine transplant. I never got a detailed rundown but it seems like a frequent outcome of these last ditch resurrection events is that they end with zero working cars.

Disheartened, Francois returned again to San Diego with the Volvo as no more than a memory. For Chris and his partner, the two mechanics, this probably came as a financial hit but in that business, and 2000 especially, it’s mostly understood that if you fail to get a car running again you should expect to keep the ride and eat the loss. None the less they started calling my parents’ house for Francois a lot.

This next bit will require a bit of background. Chris and the other mechanic were Black. An unrelated group of young, mostly white, punks had just moved from Tulsa to San Diego and were often called the “Oklahomies” – a nickname that can sound quite different out of context. A metal/hardcore band from Chula Vista called Run for your Fucking Life were making a big splash around San Diego / TJ and happened to be playing that very night.

Chris the mechanic called the house looking for Francois that day and my mother picked up the phone. Both of my parents greatly enjoyed talking to their children’s various art and music friends but my mother was the more animated and oblivious. Chris introduced himself and said he was from Oklahoma:

Oh the Oklahomeys! I’ve heard of the Oklahomeys! Are you the one that’s been interested in my daughter Jenny? Are you going to “Run for your Fucking Life” later?”

The conversation no doubt started with Chris making an earnest and patient attempt to correct and redirect my mother but she was too excited with the prospect of having somebody to talk at to be reined in to any significant degree. Chris would have no knowledge of either my family’s lax social attitudes toward underage dating or the regional punk scene. He most likely heard the voice of a white woman and thought both serious sexual misconduct accusations and threats of murder were being made.

Neither of these mechanics called for Francois again and hopefully recouped some losses with the abandoned body of the iconic Volvo. Despite the creepy realities behind the legitimate fears that catalyzed this “comedy of errors” I remember it with some amusement as just that – an unlikely “comedy of errors” informed by some niche references highly specific to time and place.

I got a chance to come to Oklahoma City again on my last U.S. Tour and play a show this time around. A community network of punk houses had bought up a single suburban block and knocked down all the fences to make one giant shared yard for agriculture, animal husbandry and playgrounds for all the children. It felt good to be there, like they were building something special that would last.

I didn’t hear a single peacock.