Detroit 2008 : The Bus Part Thirteen “Blew A Piston…”

Part One Part Two Part Three Part Four

Part Five Part Six Part Seven Part Eight

Part Nine Part Ten Part Eleven Part Twelve

I’ve actually already written the Vermont show up so I need to retitle that one so as to throw it into sequence with the rest of these. We took a fairly roundabout way to get to Detroit that took us by Niagara Falls. I can’t remember if this was my only time coming here or if I paid to go on the elevator. The structures that are built around the natural waterfall give me a strong archetypical feeling like maybe I’ve visited them, or structures similar to them, in my dreams.

Sometime between this 2008 visit and this current moment I saw the movie with Marilyn Monroe that is set there. The memory is really hazy, I thought it might have been Lucille Ball or an Alfred Hitchcock picture until I just now looked it up. Anyway I liked seeing the structures like stairs and viewing platforms in the movie – what had changed and what had stayed the same. Some things have probably changed since the visit in this story too.

I don’t know why but all of the utilitarian architecture designed around giving tourists a place to stand while they look at the waterfall is more interesting and compelling to me than the waterfall itself. I remember posing for a photo in front of the waterfall where I pretended to be talking on a cell phone as a crass joke about obliviousness to it’s grandeur and beauty but that isn’t what this is. I’m not trying to only remember cement stairs and coin operated binocular machines to be funny, that’s just the way it is.

It just occurred to me that maybe I just didn’t properly see it. Not long after this Bus Tour I went to see a Spanish Language shadow puppet show that my friend Caryl from the Rafts was involved with in Oakland. For the first time in my life I became consciously aware that the words on an opera screen were too blurry for me to read with my naked eyes – I was nearsighted. It’s hard to say if this change had been sudden or gradual. I went to a lot of operas in High School but since then it was mostly foreign films.

I did learn that if I had to listen to Spanish without being able to read the translations I could follow well enough to understand what was going on. I had taken a few semesters of Spanish in College and spoken it here and there but this was my first experience with “getting pushed in the pool” style fluency. Anyway I also went and got myself glasses and it feels entirely possible that Niagara Falls didn’t make as much of an impression for me because I was squinting at it and it was a blur.

The fastest way to get to Detroit from Niagara Falls would have been to pass through Canada but we weren’t about to test the hijinks potential of trying to pass through an International Border. There is a story about getting hassled at the Canadian Border in the El Rancho chapters but this time around we just took a much longer way. It almost seems unbelievable when you consider how much fuel The Bus required but driving over a few extra hours of road ultimately seemed easier than having every single object on board passed through a colander.

There was a lot going on in Detroit and I almost thought this could have been my first time visiting the city until I remembered that I just wrote about a 2007 trip with Garbaj Kaetz. There was a big electronic music festival going on and the Pistons had just won one of their Playoff games which resulted in a parade. When the bus succumbed to total mechanical failure just outside the Motor City it became a very weak joke about performing fellatio on one of the victorious athletes:

I went to Detroit and blew a piston…”

Not particularly funny but you have to take into account that it was a dark and depressing time for us and double entendres and dick jokes represented a welcome relief from the grim reality that our ship of dreams had run aground. Still I’m getting a bit ahead of myself – in Detroit none of this had actually happened yet and therefore had no impact on our emotional state whatsoever. We went to Belle Isle and explored an empty factory building and sort of but didn’t really play a show.

Question Mark and the Mysterians were performing at MOCAD. I don’t know how official this whole thing was but to some degree we were allowed to pull the bus up and do a Living Hell set. I think Suzy Poling from Pod Blotz had set this up for us – she had been living in Detroit for a while and was just about to make the big move to Oakland and the West Coast.

I had forgotten that Suzy had performed on The Bus while everybody else explored the abandoned factory until I just now typed her name. It was the kind of site specific performance that The Bus was perfectly equipped but almost never used for. The acoustics worked out in such a way that Pod Blotz could be heard from anywhere inside the multilevel factory. I think it was Suzy’s idea that everybody run ahead and explore the structure while she stayed behind to provide the soundtrack.

It was kind of like how I imagine perfect wine and entree pairings must be for the people who are genuinely into that sort of thing. Industrial decay and the remnants of manufacturing machinery taken in under the sparse illumination provided by cell phones and flash lights while tape effects and synthesizers provided novel juxtapositions of sonic textures ranging from barely audible whispers to deafening shouts.

Many artists in the experimental genre have tackled the idea that simply watching them manipulate their instruments and mixers might not be the most compelling visual accompaniment to the diverse sounds produced but this was the most elegant solution to that question I’ve personally witnessed. As an awkward footnote this entire experience was quite stressful and no fun whatsoever for John Benson as he had to stay behind with The Bus and white knuckle through the attentive lights of a police cruiser while hoping that they didn’t realize a small army was trespassing throughout the empty factory he was parked outside of.

So at MOCAD this legendary garage rock band Question Mark and the Mysterians is playing. I would say that they were the biggest name Living Hell ostensibly shared a bill with but some guys from Matmos who jumped the bill in Providence are a close second. When John asked if they could play Jeremy Harris said “the Matmos?” so obviously they are kind of a big deal. In Detroit it was more like we were jumping the bill.

When I was a young child I was curious about and wanted to experiment with the concept of cooking. My first experiment was to put a slice of bologna in the microwave for about fifteen seconds. It wasn’t very good. Anyway that’s what the singer guy Question Mark’s skin kind of looked like – he was wearing dark glasses and didn’t have a shirt on. They played their one famous song 96 Tears and it was great.

We were super excited to invite them onto The Bus but they were very clear about thinking that the invitation felt like a plot device from a horror movie and they wouldn’t be falling for it. Maybe their days of stepping onto mysterious buses full of freaks were behind them or maybe they would have declined the same invitation in 1962 – I couldn’t really say. What I can say is that the MOCAD crowd was overwhelmingly older and looked to the proto-punk band to set the tone as to how to respond to The Bus.

Maybe one or two people in attendance were feeling adventurous enough to take a look onboard. I can’t remember if we went through with performing a Living Hell set or not. Either way it’s awkward – do you perform for the two people who actually showed up or do you inform them that they aren’t enough of an audience for the thing you just invited them to? There’s no good answer.

Pod Blotz outside of an abandoned factory under cover of night was the perfect act to perform for people who weren’t physically standing on The Bus. Living Hell was not – our spectacle was overwhelmingly visual in nature and we played three different times without The Bus after this night in Detroit that were far more memorable than whatever did or didn’t happen this night.

Detroit was tons of fun besides this. We slept at Dave’s mom’s house which I want to say was on Belle Isle but maybe it wasn’t. We drove over to that neighborhood with the stuffed animals and polka dots on the houses. I met up with a girl named Leg that I used to be in love with and she took me to an African themed bead shop where I might have bought some brass effigy bells.

It was time to hit the road and the road hit back. It was about four hours outside of Detroit when, as the title says, we blew the piston. Was it loud? Was there smoke? Did it smell bad? I just remember that we knew it was the end. There was still some hope that The Bus would ride again but certainly no time soon. The more immediate question was how everybody and their music equipment would be moving beyond the side of the road in Michigan.

Ok, how do I even approach this? I don’t follow any iteration of The Grateful Dead but I like to go places to do things and I can say with no reservations whatsoever that “the road” is a place where miracles happen. Case in point: another empty bus pulls off the highway to see if we might need assistance, it just so happens to belong to a Chicago bicycle racing team and is being brought home to Chicago for this purpose. In fact the home of this team and this particular bus’s destination just so happens to be within a couple miles of Mister City – the art space we are scheduled to play in that very night.

Of course our new acquaintance was happy to give us and our equipment a ride to the place where he was basically already going. It was a lot of conflicting emotions – the thing was broken and something was obviously over and some of us were crying but at the same time Holy Shit! Rolling into our scheduled concert on a different bus entirely it was impossible to avoid feeling like the natural laws governing coincidences weren’t at least a little warped in our favor.

John and Dave stayed behind with The Bus to ensure that it got towed to some form of safe storage. The nearest town ended up being a place called Albion. Not long after John Benson impulsively bought a house there when he saw it listed for next to nothing on eBay. The plan was to use this house as a base of operations while working to get The Bus moving and operational again.

None of that really worked out. I’m sure the house will end up popping into some stories here but other people would have better stories than me and more of them. For now I’ve got this one: The first time John Benson ever set foot in the place he found seven dead starlings. I had been the magic consultant on board The Bus so he texted me to ask what it meant. I figured that the counting rules for crows could be applied to any of the corvidae:

One for sorrow, two for mirth

Three for a death, four for a birth

Five for silver, six for gold

Seven for a secret never to be told

That’s magic for you. You might not get an answer that you can use but at least you always get one. You may be thinking: “what if there were eight starlings? Or nine?”

Simple: it wouldn’t have been magic.

Bus Section Epilogue with Documentary Videos:

Los Angeles 2012 : “xiǎo fèi! xiǎo fèi!”

I’d been thinking about doing the Hollywood & Highland Superhero thing ever since the night that a Charlie Chaplin named Ponytails jumped on the Venice bus around two in the morning and talked up the ease of the hustle and magnitude of the money the whole way to Culver City. He was pretty good as the Chaplins went – painted his face like a black & white movie and the hat, suit & cane were all high quality as opposed to the cheap costume store stuff. I don’t know how he navigated the other half of his life with what was essentially a Hitler mustache but he clearly made it work.

I spent a couple of days with Steve, Badger and Bubba when they lived at Hollywood & Orange and were making a go of things with Gamelonian LX Cruise Ship some time in 2002. It must have been early in the year because I only remember seeing Christopher Dennis as Superman and the Batman I would later learn was named Jay among the Marilyns and Chaplins. In May of that year the first Spider-Man movie would ring in the era of the Twenty First Century Super Hero Blockbuster Movie and explode the number of costume characters that could be found working the block at any point in time.

A series of events as random and disparate as the adventures that brought an immortal mutant to a Top Secret Canadian bio-weapons program would result in my own transformation to Wolverine. First I cut off my long hair and threw it into the fire during a Mojave Rave performance that was inspired by the dark magic cult from the Clive Barker film Lord of Illusions. Next came the hit-and-run bicycle incident that destroyed my Library of Congress tape player: after being knocked on my back I discovered that the only thing that seemed to alleviate the new pain and discomfort at the base of my spine was hula hooping.

I was inspired by Aaron Hibbs from Sword Heaven and his recent feat of setting a Guinness World Record by hooping for over 74 consecutive hours. I figured that if he could go that long I should at least be able to hoop non-stop for a single hour and started biking to Venice Beach to borrow a hoop from the friendly proprietors of an oxygen bar and put in my daily hour. Before this point I’d never managed to keep a hoop up for even thirty seconds but never underestimate the power of positive role models and light competition. Then I left to tour the United States as part of the Trapped in Reality tour and started adding daily Insanity (from the creators of P90X) workouts with Rain.

All of this put me in the best physical shape of my life and while I was still fairly scrawny I did have enough muscle definition to do a convincing take of Hugh Jackman’s popular version of the character. I’d spent the majority of my adult life wearing long hair, makeup and shopping from the Women’s department as much, if not more, than the Men’s department of Thrift Stores. After chopping my hair off I decided to lean into the “masculine drag” thing and was dressing as butch as possible. I was also shaving regularly but because I’m lazy I let my mutton chop sideburns grow to epic proportions in order to reduce the necessary shaving area.

All of this meant more and more people on the street had been calling me “Wolverine” or just “X-Man” throughout my many tours and travels that Summer and early Autumn and I pretty much knew that once I was back in Los Angeles I would be taking a serious shot at it. The final piece of the puzzle was beginning to cohabitate with my future wife and the love of my life who ended up having the know-how to help me with the gravity defying signature hair style.

I already had black leather pants from my time in a band called Black Light Jim Morrison, I bought myself a value pack of white “wifebeaters” and my friend Eric Landmark gave me his old padded black motorcycle jacket. I was trying to devise some kind of high quality metal claw until I learned that the cops on the block would harass you for anything but plastic. The costume shop on Hollywood Boulevard had a set of clawed gloves for the blue and yellow costume – I cut a space for the claws in the back of some black gloves I could wear on top so it wouldn’t clash with the rest of the getup.

I had already tried a little bit of busking while still in High School when I became obsessed with the Jim Rose Circus Sideshow after my friend Sean loaned me the book and some videos. I quickly taught myself the human blockhead (hammering a nail directly into the sinus cavity) and the trick where you suck a condom into your nose and pull it out of your mouth. I took my act down to Mission Beach but soon ran into a problem – while people happily held their children up for the hammer and nail routine the moment I pulled out a condom they’d cover the kid’s eyes and storm off in anger.

It perfectly encapsulated the hypocritical nature of America’s seemingly contradictory attitudes towards sex and violence. Nobody saw an issue with their children watching me do something that would probably end with injury or death if they tried to imitate me at home but the moment I pulled out an object that could potentially save their lives, entirely removed from any sexual context I might add, the act became too “extreme”.

It was making me miss out on potential tips so I tried substituting one of the balloons that clowns use to make animals. While the condoms automatically inflate upon reaching the mouth the balloon seemed to have just disappeared. I reached in and found it bunched up at the back of my throat – I’m lucky I didn’t accidentally choke on it. That idea was off the table but my act in its original form did bring in a little bit of money which was exciting at that age as I’d never really had any.

What this experience prepared me for was the always difficult first moment of showing up and announcing yourself as potential entertainment instead of just another pedestrian or spectator. In this case my costume was doing most of the heavy lifting but I did need to announce myself as a costumed super hero worth paying to take souvenir photos with and at least pretend like I believed it. It’s always hardest until you make that first dollar, from then on it’s kind of like coasting downhill except for the fact that it’s still a nonstop grind.

I quickly learned the ins and outs of the business as it was in Hollywood in the Winter of 2012. Every character on the Boulevard does it a little differently and the distinctions are a bit like alignments in Advanced Dungeons & Dragons. First you’ve got your boy scouts who are Lawful Good – they don’t put too much pressure on tourists to take photos, they don’t suggest a tip amount and they carefully avoid anything that might be construed as intimidation while collecting tips.

With the exception of the dudes who build amazing Autobot costumes that light up and transform into car form the Lawful Goods make no money whatsoever and eventually shift toward Lawful Neutral, True Neutral or even Chaotic Neutral. That last one is probably where I would have placed myself: do anything short of physically grabbing folks to get a photo, flash a five dollar bill as suggestion when requesting a tip and stand close until you get it. There are lots of little nuances like whether or not you flash the five a second or even third time when the tourist proffers a single dollar but I’m not going to get into all of them.

The Chaotic Evils are the no-fucks-given total assholes. They put an arm around a tourist’s shoulder and don’t give up until the photo happens, flash a twenty then full on surround the tourist until the mark ends up shelling out a full twenty for each of the three to four characters in the photo or they are at least satisfied they took them for as much as possible. Another aspect of the Chaotic Evils is that there are locations which are considered high value – mostly in front of the Mann’s Chinese Theater and they physically intimidate the other characters to restrict access to these spots. For reasons I am about to get into they always wear a mask, sunglasses or both.

I quickly learned that the easiest way to make money is to either be a Spider-Man, which I wasn’t going to do, or work with at least one Spider-Man. The nicer part of this equation is the costume recognition: blue and red in combination are extremely visually conspicuous, the costume design is iconic and in 2012 it was the most successful franchise in recent Super Hero films and popular with every demographic of tourists – especially children.

The less nice part of the equation is the mask: when you can’t see a person’s facial expression it creates a certain amount of ambiguity where you can’t tell if they are just asking for a “no pressure” tip or threatening unpleasant consequences if you don’t give them the largest tip possible. This ambiguity creates discomfort and the quickest way out of it is to just give them money. Once out of the situation you will second guess yourself as to whether you were actually being intimidated or it was all in your head. If someone does decide that it was the former or the Spider-Man was being particularly obvious about it even with a photo there are six to a dozen Spider-Mans on the block at all times and they can always say it wasn’t them.

For all of these reasons and the additional fact that a morph suit makes for a cheap costume there was always a surplus of Spider-Mans around. This led to a few random failed gimmicks like the Spider-Man that carried a ‘50s Sci-Fi looking ray gun that only served to lose him photos as it has nothing whatsoever to do with the character and the Spider-Man that threw himself in the garbage in case anybody wanted a comedic photo with a Spider-Man in the garbage. (nobody did). This second one always had weird stubble nearly an inch long that poked out through his mask and his costume was extremely filthy.

Just as there were lots of Spider-Mans there were different types of Spider-Mans. I never worked with one but there must have been at least one Lawful Good Spider-Man. The mask is a fundamental part of the costume and you can’t say with certainty that somebody picked the character for the intimidation factor until you see their body language and behavior. Sunglasses are another matter entirely. None of the Super Heroes had dark sunglasses as an essential part of their costume so when a Hero wears them they are doing it deliberately for the intimidation factor and are probably some degree of asshole.

There were a few lone wolves and some female characters with “sexy” themed costumes that always worked in the same pairs but most of us worked in groups of three to four with whoever was around that we thought would help us make the most money. Three was ideal money wise – tourists are used to getting gouged and shelling out fifteen dollars for a souvenir photo with street performers probably sat comfortably on the better side of the acceptable/ridiculous margin. With four characters it started to seem excessive.

I worked with a lot of Spider-Mans when I started. There was a good looking French one that always lifted his mask up and winked because he was trying to find acting work and pick up women. He was okay but my other two Spider-Mans both wore the black symbiote alien costume and started to show signs of “moral drift”. Every character on the Boulevard had their own story arc with “moral drift” – the ideals that you start with versus the realities you end up with when you figure out how to make money.

They were okay individually but seemed to bring out the worst in each other. One day we took a photo with a Japanese kid, maybe 13 years old, and one of the Spider-Mans got him to give a twenty to each of us. He seemed scared, confused and like he maybe didn’t understand American money that well yet. That was a breaking point for me – I kept the twenty but I didn’t like how the whole thing made me feel and I went back to working with the “Boy Scout” types. Maybe one or both of them felt bad too but I kind of doubt it based on who they ended up working with.

Although the hustle in question was pretty “broke ass” and geeky this was the only period of time I’ve ever spent as part of a hustler subculture. Unless you think selling drugs counts, then it would just be the first time. This was the time that I learned to carry my cash folded in a certain way and hold it a certain way and count it a certain way and spend it a certain way.

I lived like I didn’t have a bank account. When the rose sellers showed up at night I would buy my wife roses to surprise her with. I’m not sure if I’m conveying what I want to say – what I mean is that there is a kind of masculine swagger subculture that centers around the precise ways you handle the cash proceeds from hustling and I am grateful that for a short period of time I got to live in that reality.

There are a lot of stories that I could tell and characters I could talk about but for now let’s talk about Christopher Dennis and Carmelita. Dennis is the original, he started coming out as Superman in the ‘90s when there were no other characters and was always Lawful Good, in character at least. There was a story that he believed that Christopher Reeves was his actual biological father. When I started he didn’t come out much but evidently ran a flophouse for other characters in his place on Orange.

Dennis was going through a divorce and constantly partying on meth around this time from what I heard. There was a Spanish girl named Carmelita and I can’t remember if she actually lived in Dennis’ apartment or just hung around but she started doing the female sidekick thing. She got a Supergirl costume and teamed up with Dennis’s Superman who was spending more time out in costume as a kind of mentoring favor. He evidently wanted favors as well: he thought she should be expressing gratitude by having sex with him.

Carmelita wasn’t interested so she got a Batgirl costume and started working with another housemate named Jay. Jay is the best Batman on the Boulevard, his costume is really well made and he does look intimidating – but in a “better not start crime in Gotham” kind of way as opposed to the “better tip me twenty bucks for a photo” style. I heard some stuff about him getting in fist fights with other characters but never saw it first hand. Same thing on the meth – never heard explicitly that he did it. He absolutely did do the try to get Carmelita to fuck him part though.

She wasn’t having that either and was Supergirl again but in the market for another mentor. I feel like Jay or Dennis were maybe walking around looking for somebody to shunt her off on. I had just walked away from the Spider-Mans and was finding myself working with this sort of annoying head trauma type Captain America who was also from Spain a lot. I suggested that they work together but he wasn’t interested. Supergirl and Wolverine doesn’t make much sense continuity wise but I was ready enough for a change to try anything at this point.

She turned out to kinda be dead weight. She wasn’t exactly hard on the eyes: blonde hair, mini skirt, reasonably thin. I mean her teeth were a little weird but that was it. Her energy was just off. It was low confidence and self doubt, when she asked people if they wanted to get a photo she gave off the vibe that she expected they probably wouldn’t. I had to pull in all our shots. She wanted to keep working with me because I was wifed up and there was no danger of me trying to fuck her, or at least if she didn’t continue the sidekick curse by switching to Jubilee. (little joke there, I never would have expected that or treated her that way). As much as I empathized with her situation I needed a partner that helped bring in money.

I was wondering whatever happened to Christopher Dennis so I looked it up. He got worse with the meth, ended up homeless and died in 2019 by hitting his head falling into a clothing donation bin while in meth psychosis. Any character on the block will tell you he had an absurd amount of support and second/third/nth chances. At least two documentaries, lots of help from Kimmel, he still found a way to fuck it all up.

I ended up living in Santa Monica so I tried the boardwalk. The Super Hero thing was not it there. I tried hula hooping but didn’t really have an act. I moved on to other hustles. I want to mention a pair of other incidents: My friend Billy from Monster Party cast replica quality Xenomorph bodysuits from Alien. One day he suited up and we tried it out. I had to line up our shots as he couldn’t see out of the suit. It was surprisingly unpopular but one Japanese tourist wanted a picture of the Xenomorph holding his infant son.

That kid would be ten years old now. I hope he likes the picture.

The Black actor with achondroplasia (dwarfism) from Gummo would come out in a Mr. T getup. Apparently he was an awful alcoholic for years but managed to get sober. He never made much money but I think he came out to people watch and have something to do. There were a couple of other smaller guys who came from the Lucha Libre world. They did things like Smurfs and Puss in Boots – the costumes were always really nicely sewn especially the wrestling boots. I wonder if they made their own.

They had no interest in working with Mr. T.

One day the whole Boulevard was slow and me and him teamed up by the wax museum. We were playing a game of shouting out sales pitches that riffed on his stature. We started with the obvious:

Get a picture with Mr. T – Half Off!”

“How about a little tea?”

“Get a picture, we won’t short change you!”

We went on like this for a while. I think we were doing it for our own amusement – nobody seemed to notice us and we weren’t really directing it at anyone. Eventually I started coming up with ones that kind of offended him, or maybe he was joking about that too, I couldn’t even tell. I can’t remember the more offensive ones.

I don’t think we ended up taking a single picture.

I only ever saw Ponytails, my Charlie Chaplin mentor, one or two times. He would show up late and get drunk big spenders from the bar crowd. He claimed twenty was standard but once he got a hundred. Everyone out there seemed to always talk about that “one big tip”. Maybe it never even happened but was something to dream about night after night of only bringing home a few fives and a handful of ones. It’s kind of how it is for gambling addicts – that one big jackpot keeps them coming back.

I never came back.

When I was a homeless drug addict and needed money I learned that flying a sign worked better for me than most people. I looked a bit like Jesus and that always puts Christians in a charitable mood. My sign always said the same thing – feel free to use it:

Homeless – Hungry – God Bless”

Every word was true.

Eventually I shot a video in costume for a band called Sexting. Many of the characters are visible. The Spanish Captain América pops up
to hype me and a “sexy” pair cover their faces with folding fans. Watch how Mr. Incredible, Darth Vader and Scream surround a hapless East Asian tourist. Chaotic Evil 100%
Looks like Mr Incredible only got worse. Here he is assaulting a Batgirl two years later in 2014, I don’t think it’s Carmelita but she might have dyed her hair or did a wig. His muscles are just padding but he acts like he’s got roid rage. He tried to strangle me over the Chinese Theater spot. The German Batman is what you’d call a boy scout – for the cameras at least.